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stalin poster of the week

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This blog was first published on the properganderpress website https://properganderpressblog.wordpress.com/category/stalin-poster-of-the-week/

Stalin poster of the week 55 (SPotW55)

26/11/2017

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Iraklii Toidze, Long live the V.K.P.(b) – the party of Lenin-Stalin, inspirer and organiser of our great victories!, 1946

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Iraklii Toidze (Тоидзе, И.), Long live the V.K.P.(b) – the party of Lenin-Stalin, inspirer and organiser of our great victories! (Да здравствует В.К.П.(б) – партия Ленина-Сталина, вдохновитель и организатор наших великих побед!, 1946
This 1946 poster by Georgian-born Iraklii Toidze, produced the year after the end of the Great Patriotic War, credits the hyphenated Lenin-Stalin Party with the war victory.


Stalin’s victory in the war has made him worthy of co-identity with the great founding figure of Lenin, and Stalin takes equal place beside Lenin both visually and in the poster text. In fact, visually, Lenin is behind Stalin.


The poster is laden with sacred overtones.


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The image of a strong but caring Motherland, the Rodina probably derives from the old Slavic goddess Mokosh
It is dominated by the figure of the Rodina, wielding a huge banner with the cameo images of Lenin and Stalin in profile enclosed in a gold medallion, and a bunch of flowers — symbol of fertility, abundance and celebration.


The Rodina is the embodiment of the Russian motherland, now expanded to include all the territories of the USSR. The Rodina probably derives from the old Slavic goddess Mokosh, who was the protective goddess of women, childbirth, weaving, spinning and sheep.


The Rodina in the poster is serene and maternal with an ample bosom and wide hips. She is also like the Virgin in the icon, her banner serving the same protective function as the Virgin’s veil, whilst also reconfiguring her as the mother of the revolutionary Bolshevik Party.


Behind the Rodina, the background consists purely of rays of light and the colour scheme, rich reds and golds, is reminiscent of the icon.


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Lenin sits behind Stalin in a gold medallion that is both sacred and reminiscent of a war medal
The text at the base of the poster reads ‘Long live the V.K.P.(b) — the party of Lenin– Stalin, inspirer and organiser of our great victories!’
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Stalin poster of the week 54 (SPotW54)

19/11/2017

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P. Lukhtein, Glory to great Stalin!, 1951

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P. Lukhtein (П. Лухтейн), Glory to great Stalin! (слава великому сталин!), 1951

In the very last few years of Stalin’s life, his image was treated like an icon less frequently than in the immediate postwar years, except in posters published in some of the constituent republics.


Estonian Izdatelstvo published a poster by Lukhtein, which would have been commonplace  in Moscow and Leningrad just a few years hence, but which now contrasts sharply in style with the contemporaneous posters from Russia.


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A military portrait of Stalin portrays him as a strong visionary leader

A black-and-white portrait of Stalin in Marshal’s uniform is enclosed in an oval mandorla on a red field that is bordered by an elaborate folk motif of stylised crops and the Soviet state emblem at the top. Underneath Stalin’s portrait, in huge gold letters, is written ‘Glory to great Stalin!’


Estonia was one of the Baltic States reabsorbed into the USSR after the Great Patriotic War, as part of the carving up of Europe between the Allies. Much work was needed to sell the cult of Stalin to the largely unwilling population.



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Golden letters on a rich red background proclaim Stalin’s glory to the Estonian people. The addition of a border of decorative folk motifs provides local flavour.

The continuation of production of this type of poster in the Baltic states and some of the other outlying republics of the USSR, when it had virtually been discontinued in posters produced in Moscow and Leningrad, suggests that the propagandists may have felt that the work of building a personality cult for Stalin was largely completed in the central regions.
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Stalin poster of the week 53 (SPotW53)

12/11/2017

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Unknown artist, Printing should grow by leaps and bounds, this is the sharpest and the strongest weapon of our party. Stalin., 1950

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Unknown artist, Printing should grow by leaps and bounds, this is the sharpest and the strongest weapon of our party. Stalin (печать должна расти, не по дням, а по часам, это-самое острое и самое сильно оружие нашей партии. Сталин.)., 1950

This charming Uzbek poster was published in Tashkent by Uzbek Poligraf in a small edition of 3000 in 1950.


Its publication coincides with an increasing impetus for literacy and secondary and vocational training for professional specialisation in Uzbekistan from 1950 onward.


Literacy at a primary level had been steadily growing since the 1920s and rapidly accelerated after about 1932.


From 1946, Uzbekistan embarked on a massive cultural program of language and literary training in the Uzbek language – 46% of the books published were textbooks or children’s books (see William Kenneth Medlin, William Marion Cave, Finley Carpentier, Education and Development in Central Asia: A Case Study on Social Change in Uzbekistan, 1971).


In this poster, publishing is seen as a means of disseminating propaganda and spreading the values, beliefs and ideology of the Communist Party. The poster shows several generations of Uzbeks, possibly all one family, reading a variety of newspapers that are specifically aimed at their demographic.


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Stalin in military collar, and Lenin in suit and tie look to the viewer’s right (representing the future) on the cover of the newspaper Eastern Pravda.

The white-haired gentleman reads Eastern Pravda, a serious newspaper pitched at an educated reader. Stalin and Lenin are portrayed on the cover in profile in a similar manner to their appearances on banners in posters. Stalin, in military collar, is the man of action. Lenin, in white collar and tie, is the man of words. Lenin now sits in Stalin’s shadow.

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Stalin is portrayed as a profound military strategist on the cover of Red Uzbekistan

The greying gentleman on his left reads Red Uzbekistan with a visionary Stalin in military uniform on the cover.

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An Uzbek couple discuss the news in Young Leninist

The married couple discuss a copy of Young Leninist together, the woman wearing traditional Uzbek headgear, a suit jacket, and a medal – most likely an award for Communist labour.

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There are Uzbek newspapers for young people too!

The young blond woman reads the Uzbek Komsomol newspaper while the children read Lenin’s Spark.


The poster caption, ‘Printing should grow by leaps and bounds, this is the sharpest and the strongest weapon of our party’, is a quote from Stalin, taken from a final word on the organisational report of the Central Committee at the XII Congress of the RCP (b) 19 April 1923.


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Stalin poster of the week 52 (SPotW52) SPECIAL ANNIVERSARY EDITION: 100th Anniversary of the October Revolution and 1st Anniversary of SPotW

7/11/2017

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Gustav Klutsis, October to the world, 1932

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Gustav Klutsis (Клуцис, Густав), October to the world (к мировому октябрю), 1932

I would like to thank all my friends and loyal readers for sticking with me through the first year of stalin poster of the week. It has been a great year and there are plenty more to come!


One of the ways in which Stalin sought to strengthen legitimacy for his leadership throughout its entirety was to establish himself as a successor, disciple, and interpreter of Lenin. In 1932, Stalin was still in the early years of leadership, his power consolidated but not yet totally secure – in fact, he faced a leadership challenge of sorts in 1934.

Lenin had been the charismatic leader of the Party until his death in 1924. In the years following Lenin’s death, the personality cult of Lenin became a vehicle to power and legitimacy for any candidate who could successfully prove his indisputable lineage to the deified Lenin.

One of the primary ways in which Stalin publicly illustrated his closeness to Lenin, was by ensuring that his image was visually linked with that of Lenin. A large number of political posters that feature the image of Stalin, juxtapose this image with the image of Lenin.

Stalin’s propaganda apparatus went as far as cutting and pasting photographs and commissioning paintings showing Stalin and Lenin together on historical occasions when they had not, in fact, been together at all in order to promote this idea of Stalin’s lineage. Stalin was also sometimes depicted in fake historical scenes as standing, speaking and pointing while Lenin listens.

The appeal to an established lineage is a phenomenon that occurs throughout the history of charismatic leadership. By depicting Stalin as Lenin’s legitimate successor, a case was made for him to partake of Lenin’s charismatic authority.

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Stalin is shown as Lenin’s devoted disciple

This was important because Stalin and the Bolshevik Party had neither traditional grounds on which to claim the right to rule, such as those of the monarchy, nor rational and legal grounds – those conferred by processes of democratic election or other legally prescribed means for choosing leaders.

Thus Stalin had to be presented as both an endorsed disciple of Lenin, and a capable leader in his own right. This 1932 poster by renowned photomontage poster artist Gustav Klutsis achieves both of these aims.


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Lenin, dead for eight years in 1932, points the way forward to the achievement of full communism

First, Lenin is depicted with arm outstretched, pointing the way forward to the future and educating the young Stalin, whilst also indicating the evidence of Soviet achievements thus far, as displayed below. The suggestion is that Lenin speaks, while Stalin listens, and it was to be a few more years before propaganda depicted Stalin as having equal status with Lenin.

Second, Stalin is depicted as a junior co-leader of the October Revolution of 1917, building the myth of Stalin’s centrality to the success of the October coup.

The caption of the poster ‘October to the world’ highlights this association, whilst also stressing a primary goal of Soviet socialism in its early years – the extension of the revolution to the rest of the world. With Lenin dead, it was Stalin who was called upon to see world revolution through to its inevitable Marxist end.

Within the non-realist iconography of Russian Orthodox imagery and distinctly Russian traditions like the lubok (political broadsheets with mass distribution), the importance of figures is often indicated by their relative size. Here, Stalin and Lenin are titans, dwarfing the masses and scenes of Soviet construction beneath them.


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If you look closely, you can see that there are people under Stalin’s boot

Disturbingly prescient, Stalin’s left foot appears to have crushed some of the regimented and uniformed masses.

While it is unclear whether Klutsis, who was deeply devoted to Lenin, had any subversive intentions, it must be noted that he was arrested in the purges in 1937, and secretly shot in February 1938.

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    Dr Anita Pisch

    Anita’s new, fully illustrated book, The personality cult of Stalin in Soviet posters, 1929 -1953, published by ANU Press, is available for free download here, and can also be purchased in hard copy from ANU Press.

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BLOG ARCHIVE - STALIN POSTER OF THE WEEK
SPotW1 Toidze 1947
SPotW2 Klutsis 1930
SPotW3 Chronicle 1938
SPotW4 Podobedov 1940
SPotW5
Deni 1930
SPotW6 Klutsis 1933
SPotW7 Efimov 1933
SPotW8 Govorkov 1936
SPotW9 Koretskii 1949
SPotW10
Foreign policy 1940
SPotW11 Pravdin 1950
SPotW12 Karpovskii 1948
SPotW13 Mizin 1934
SPotW14 Klutsis 1931
SPotW15
Koretskii 1943
SPotW16 I.V. Stalin 1930
SPotW17 Volkova/Pinus 1938
SPotW18 Toidze 1941
SPotW19 Stalin's affection 1949
SPotW20 Berezovskii 1947


SPotW21 50 Years 1929
SPotW22 Petrov 1948
SPotW23 Arakelov 1939
SPotW24 Ivanov 1952
SPotW25 Solomyanii 1952


SPotW26 Belopol'skii 1952
SPotW27 Kaidalov 1940
SPotW28 Mytnikov 1950
SPotW29 Yang 1938
SPotW30 Golub' 1950


SPotW31 Vorontsov 1951
SPotW32 Belopol'skii, 1951
SPotW33 Deni 1931
SPotW34 Madorskii 1938
SPotW35 Leader, teacher, friend 1941


SPotW36 Al'menov 1951
SPotW37 Deni 1937
SPotW38 Cheprakov 1941
SPotW39 Enemy, 1941
SPotW40 Zotov, 1934

SPotW41 Grinets 1937
SPotW42 Vatolina 1939
SPot
W43  Zhukov 1940
SPotW44 Fedotov 1943
SPotW45 Golub' 1949

SPotW46 Vatolina 1950
SPotW47 Solov'ev 1950
SPotW48 Mel'nikova 1951
SPotW49 Kokorekin 1951
SPotW50 Ivanov El'tsufen 1952

SPotW51 Unknown 1952
SPotW52 Klutsis 1932
SPotW53 Printing 1950
SPotW54 Lukhtein 1951
SPotW55 Toidze 1946

SPotW56 Litvinov 1949
SPotW57 Serov 1942
SPotW58 Pinchuk 1943
SPotW59 Petrov 1952
SPotW60 Podobedov 1939

SPotW61 Babitskii 1944
SPotW62 Pen Varlen 1942
SPotW63 Bayuskin 1942
SPotW64 Belopol'skii 1950
SPotW65 Belopol'skii 1952

SPotW 81 Koretskii 1950
SPotW 82 Pravdin 1950
SPotW83 Vatolina 1938
SPotW 84 Deni 1938
SPotW85 
Koretskii 1945


SPotW66 Dlugach 1933
SPotW67 Zhitomirskii 1942
SPotW68 Toidze 1949
SPotW69 Mikhailov 1937
SPotW70 Cheprakov 1939

SPotW 86 Kazantsev 1944
SPotW 87 Civil War 1938

SPotW 88 Kun 1937
SPotW 89 Spirit 1941
SPotW 90 Ryvkin 1939

SPotW71 Deni 1935
SPotW72 Deni 1935
SPotW73 Defence 1938
SPotW74 Elkin 1939
SPotW75 Zarnitskii

SPotW 91 Moor 1938
SPotW 92 Ivanov 1948
SPotW 93 Govorkov 1951
SPotW 94 Denisov 1941
SPotW 95 Ledby 1942

SPotW76 Toidze 1943
SPotW77 Futerfas 1936
SPotW78 Mukhin 1945
SPotW79 Golub' 1948
SPotW80 Karpovskii 1948

SPotW 96
SPotW 97
SPotW 98
SPotW 99
SPotW 100

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